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Nº 4 — To ask/To Answer/To refuse
Introducing THE ICONOMIST’s latest thematic dossier. For the edition that closes the first of four editions of the magazine, we embarked on the world of interviews and questionnaires. What is a photograph? What is photography? What is an image? In addition to these questions, we also took inspiration from Proust’s questionnaire and JG Ballard’s short story “Answers to a Questionnaire”, a list made up only of answers to unknown questions. In addition, we also present selected texts by Lucas Samaras and his 1978 Auto-Interview, Marlene Dumas, Thomas Hirschhorn and others.44 pages, 21x28cm, saddle-stitch binding, with shipping worldwide.
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Nº 3 — To catalogue
Introducing THE ICONOMIST’s latest thematic dossier. This edition takes inspiration from art magazines and catalogues to curate a collection of images that provoke and question our relationship with artwork documentation in the age of artificial intelligence. All the clichés of the art world are represented, the artist’s studio, the the gallery, the white walls, the compositions, the descriptions. We are excited to present a selection of proposals of artworks that are now part of the #theiconomist collection, with complete descriptions and speculations on their materiality. As a complement to this visual content, we have also included selected (and inspiring) texts from authors such as Boris Groys, Hito Steyerl, Georges Didi-Huberman, Man Ray, and more. The film Concrete Lache (2010), which Mark Leckey created about the Milton Keynes Gallery, will be on view in our website in the STREAMING section, which will be updated weekly with new videos and films.![](https://freight.cargo.site/t/original/i/3e257fe6b4b86ddc67709e6d0153045c0d5c6d0ce36c7f1723f22c50f1d1da55/Sans-titre.gif)
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44 pages, 21x28cm, saddle-stitch binding, with shipping worldwide.