zero-Editions is an artist-run publishing house operating from the collapse of the image in the digital era. Founded in 2020 in Brazil, its practice investigates the image not as representation, but as infrastructure: a device that organizes memory, subjectivity, economic circulation, and contemporary regimes of visibility. The publishing house works with appropriated, degraded, automated, and reprocessed images, placing hegemonic platforms, databases, personal archives, and systems of surveillance under tension. Its projects emerge from the friction between material and immaterial forms, between the book as object and publishing as flow, questioning the centrality of the Global North in the production and legitimation of the technical image in the age of platform capitalism. 
    Moving between limited editions, print-on-demand, and post-digital publications, zero-Editions rejects spectacle of high-end editorial production. Instead, it embraces repetition, excess, wear, and circulation as constitutive conditions of the work. Its catalogue functions as an expanding archive on visual saturation, image extractivism, and the transformation of experience into data. zero-Editions constructs an ongoing field of investigation into how images today govern vision, produce subjectivity, and shape the world.